“Don’t come,” he said when he answered. “Get me the police and a doctor. Now.”
Valeria paled.
“Alejandro, think about it.”
“I haven’t thought in too long,” he replied.
Then he looked at Claudia.
“Call Mateo’s pediatrician. And a forensic photographer, if you can get one.”
He wasn’t a man used to improvising.
He was a man used to damage control.
And for the first time, the damage wasn’t going to be covered up.
Valeria tried to approach Mateo, but I stepped in front of her.
“Not one more step.”
She held my gaze as if she still believed she could bend reality with her voice.
“You’ll regret this.”
“Not as much as you.”
Minutes later, two officers arrived with an on-call doctor. The house no longer resembled a mansion. It looked like a crime scene hidden behind expensive vases.
The doctor examined Mateo in a private room, with Claudia by her side and me outside the door. From the hallway, I could hear the doctor’s murmur, the rustle of gloves, the boy’s muffled cries.
Every sound pierced my memory.
One of the officers took my statement. I told him everything. What I saw that afternoon. What he told me. What I observed for months.
Claudia spoke too. She said she had wanted to report it earlier, but she had no proof and was afraid they would fire her before she could get the boy out of there. I didn’t judge her.
Fear, too, organizes itself.
Sometimes it wears a uniform.
Sometimes it wears an apron.
Sometimes she wears an engagement ring.
When the doctor came out, her face was tense.
“There are recent and old injuries,” she said. “This is sustained. Not accidental.”
The officer nodded and went straight to the office.
Valeria was still there, sitting very upright, as if she were still hoping someone would remember her last name, her dress, her role in the magazines.
They read her her rights in front of the same window where, minutes before, she had been drinking wine.
She didn’t scream.
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