“It never asks permission to come back.”
I rolled my eyes the way only a ten-year-old can. “That doesn’t make sense.”
He grinned. “You’ll see.”
That was my father. He stored wisdom inside ordinary objects the way other people tucked money into old books.
The morning he left for that business trip upstate, he kissed my forehead in the kitchen while my mother stood at the counter scraping toast crumbs into the sink.
“When I get back,” he said, “we’re going to visit that college you keep pretending you haven’t been reading about.”
I was sixteen and already obsessed with interiors, though I did not yet know that was what I would call it for the rest of my life. I moved through spaces noticing proportion, light, how a room could feel wrong because of one ugly chair or because no one had thought about the way people actually lived inside it. There was a small campus near Princeton with an excellent design program, and I had been secretly collecting brochures and sliding them under my mattress because I did not yet trust hope enough to leave it on top of furniture.
“I’m not pretending,” I said, mouth full of cereal.
“You’re pretending very badly.” He touched my head once, lightly. “Start thinking seriously about your future, sweetheart.”
Then he grabbed his car keys and left.
A truck driver fell asleep at the wheel on the highway.
That sentence was delivered to us by a man in a dark suit whose tie had slipped sideways by the time he reached our front room. He said there had been an accident. He said my father had died instantly. He said my father had not suffered, which was a sentence adults always seem to offer grieving children as if pain can be measured cleanly enough to matter in the face of absence.
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